Archives for posts with tag: photography

Brooklyn Boy’s Dream Come True

Two photo-based composite images have been selected for exhibition in Photobase: Re-imagined Memories, an exhibition of 25 diverse and inclusive artists who tell intimate stories of love, loss, family history, immigration, addiction and identity. Photobase is featured in this year’s Capture Photography Festival. Both of these prints are compositions that construct the identity of family members through documents and photographs.

Brooklyn Boy’s Dreams Come True references the old adage:  get the job to get the car to get the girl. In this case, it is a constructed biography of my father’s early years layered on his birth certificate: his first job that paid enough to get a car to win the girl of his dreams. Militant depicts a heroic chapter of my uncle’s life. This image juxtaposes his two loves: his partner and his commitment to the fight for justice that led him to volunteer to fight in the Spanish Civil War.

Photobase, curated by Stfanie Wysota, will show at CityScape Community Art Space, a community gallery and project of the North Vancouver Arts Council dedicated to a belief in the intrinsic value of art to inspire, heal, to bridge sectors, generations, and cultures, and to enhance and enrich communities. Here is the link to the Facebook event for you to share: https://www.facebook.com/events/420194891743310/

The exhibition runs from 16 March  thru 21 April (335 Lonsdale Avenue, North Vancouver, Canada). Opening reception is Thursday, 15 March, 7-9 pm (Gallery Hours: M–W, F: 9 am–5 pm: Th: 9 am–8 pm; Sa: 12–5 pm).

Militant

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Finn Slough Landscape

 

Gilbert, Arizona — 06 March – 21 April

LightSensitive 2018, an exhibition of traditional darkroom and alternative process photography, opens at Art Intersection on Saturday, 10 March (5 – 7pm). The selected works, according to juror scott b. davis, “…range from abstract images that defy our expectations of photography to others that affirm our belief in the medium’s inherent specificity.”

Two Lumen Prints from my Finn Slough Series will be on show in an exhibition of handcrafted prints by photographers working in the tradition of light sensitive creative processes. The organic nature of these prints made using materials gathered at Finn Slough reflect the quality of life in a tiny fishing community in Richmond, British Columbia, Canada where 30 residents live in wooden houses along a marshy riverbank. The indigenous and cultivated plant materials used to make the photograms reference a community that is inextricably connected to the environment and persistently adaptable to the encroaching built environment that challenges its existence.

These Lumen Print photograms are made by placing plant materials on black-and-white photo paper, which were exposed to both sunlight and the elements for 48 hours during a December snowstorm and then processed in fixer. The atmospheric conditions affecting these prints were especially unusual, resulting in distress to the light sensitive emulsion, which can be seen in the unique marks on the photosensitive surface.

Light Sensitive will show at Art Intersection, a gallery and workspace in Gilbert, Arizona, that promotes the intersection of photography with related art forms. The exhibition runs from 06 March thru 21 April (207 North Gilbert Road, Gilbert Arizona). Opening reception is Saturday, 10 March, 5 – 7 pm).

 

Two recent Lumen Prints have been selected for exhibition in Light Sensitive 2018, a signature exhibition of photography created using traditional darkroom and alternative photographic processes. Both of these prints were made using materials gathered at Finn Slough, a tiny fishing community in Richmond, British Columbia, Canada where approximately 30 residents live in wooden houses along a marshy riverbank. The indigenous and cultivated plant materials used to make the photograms reference a community that is inextricably connected to the environment and persistently adaptable to the encroaching built environment that challenges its existence.

These Lumen Print photograms are made by placing plant materials on black-and-white photo paper, which were exposed to both sunlight and the elements for 48 hours and then processed in fixer. The plant enzymes and atmospheric conditions interacted with the photo-emulsion to produce unexpected results on the surface of the paper, leaving X-ray like marks on both their shapes and interiors. The atmospheric conditions affecting these prints were especially unusual — work that was set out on a cold December night was visited by a slushy snowstorm that was followed by freezing weather that adhered the prints to the developing table for an additional day of soaking up diffused light. Carefully, these prints were thawed and released; the impact of this distress can be seen in the unique marks on the photosensitive surface.

Light Sensitive, juried by scott b. davis founder of the Medium Festival of Photography, will show at Art Intersection, a gallery and workspace in Gilbert, Arizona, that promotes the intersection of photography with related art forms. The exhibition runs from 06 Marth thru 21 April (207 North Gilbert Road, Gilbert Arizona). Open reception is Saturday, 10 March, 5 – 7 pm).

If prints could talk, Ocean Shores might tell the viewer that it is a trace and shadow of purple broom buds native to the craggy Pacific shore. Chamaecytisus purpureus, less prominent than the common yellow broom, is now considered an invasive plant consuming beachfront real estate.

It was the colour of this broom that first attracted me to collect a few sprigs for a series of Lumen Print impressions made on sheet film. What remained after a full day in the sun was a photogram that would be transformed into fixed images using sodium thiosulfate. Next, the sheet film was scanned and again transformed in a digital photography space where I constructed an image reminiscent of the plant material, the residual sand and the light falling on the shore at dusk.

Currently, Ocean Shores is among the 39 alternative process photographs on exhibition in unique: alternative processes at ASmith Gallery in Johnson City, Texas thru 14 January 2018. This exhibition affirms my interest in what constitutes a photograph and the experiments, historical and contemporary, which push the boundaries and yield unique results. When I agree to submit to an exhibition, I surrender, leaving curators and preparators to work their magic. In this space, the image is again transformed when set in a visual conversation among unique alternative process photographs selected by Christina Z. Anderson.

 

 

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TRUTH AND BEAUTY Digital Gallery presents Illuminations, a selection of my recent lument prints. This exclusive, inaugural Online Exhibition aims to reach a broad international audience and enhance ongoing programming at the Vancouver gallery.

Illuminations, a series of Photograms, assembles impressions of materials placed on photosensitive paper using organic materials gathered from the beach, the forest, and the street. I record traces and shadows made by the various debris on sheet film. These handmade negatives are then digitized and transformed into an illumination of their original organic form.

Visit the DIGITAL GALLERY to enjoy this inaugural exhibition of Lumen Prints.

Turbulence
Pigment ink on cotton made from a handmade negative using a Lumen Print process

Eleven Sassamatt Collective photographs are in the Cityscapes Art Rental collection, five by Phyllis Schwartz and six by Edward Peck.  They will be on show in their September salon syle exhibition. The exhibition runs 08 – 30 September (Cityscapes, 355 Lonsdale, North Vancouver). Work on show is available for rent or sale. This is an excellent opportunity to buy more art.

https://nvartscouncil.ca/events-exhibitions/art-rental-show/

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From time to time, I incline my mind toward straight photography and assemble a  vaguely affiliated series of images. The Curated Fridge is calling for photographs that speak to their summer theme: I Wonder.

When I look through my viewfinder, I wonder about many things: will my photograph be the equivalent of what I sense (thinking about Alfred Steiglitz)? will my photograph endure my rigourous editing process? will I feel the same about this image tomorrow as I did when I released the shutter (Wordsworth’s emotion recollected in tranquility)?

Sometimes I ponder, speculate, or meditate with my camera, but best of all I like spontaneous moments that later reveal what the inner eye sees in a decisive moment. So, here I offer up a collection of photographic moments that I wonder about.

I leave these thoughts hanging on a prepositional precipice wondering about your thoughts and perceptions as you scroll through my photographic moments?

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Announcing the opening of Clouds — a group exhibition

Opening Night Reception,  Thursday,  23 March (7 – 9 pm) at Cityscape Art Space in North Vancouver (235 Lonsdale) — featuring fifty-one artists interpreting clouds in a variety of media that range from beadwork to photography.

Among the many cloud musings is my spontaneous iPhone capture of sunburst lighting up clouds on Chesterman Beach/Tofino, one of those rare moments when the drama of light obscured colour to show the contrast between rain and surf.

Clouds will be on show  at Cityscapes Community Art Space through 22 April.

Chesterman Beach (iPhone image)

 

Recently, I had an opportunity to reprint a series of photographs I made when the Right Honourable Pierre Elliott Trudeau spoke to the students at Point Grey Secondary School in Vancouver on 19 May 1974. It was easy to mark the day because it was the day after Operation Smiling Buddha, India’s first nuclear weapons explosion. In his address to the students, Prime Minister Pierre Elliott Trudeau shared his thoughts about the global impact of this nuclear test and affirmed Canada’s commitment to Peace Keeping.

At the time of Prime Minister Trudeau’s visit, I was a new Canadian who had just signed a continuing contract with the Vancouver School Board. It was a new beginning for me in a chaotic time, and Canada offered both opportunity and a sense of social order. As well, I could not only afford an SLR camera but also my own darkroom equipment. The Prime Minister’s visit to Point Grey, along with a press entourage, was probably my first event photo-shoot. I had no experience working with all the lighting added by myriad photographers and videographers, but perhaps you will find that part of the honesty characteristic of 1970s artwork. Jay Currie, President of the Student Council, and son of G.B. Currie, Chairman of MacMillan Bloedel, introduced the Prime Minister to the student body and staff.

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IntervalsWeb-1024x622Presented by South Main Gallery and Capture Photography Festival
Curated by Edward Peck and Phyllis Schwartz (Sassamatt Collective)
We are pleased to present exciting new and recent work by 7 international photographic artists, including 3 world premieres at South Main Gallery. The exhibition features Goga Bayat, David Ellingsen, Jim Friesen, Diana Nicholette Jeon, Edward Peck, Phyllis Schwartz and Andrew Ward.

March 31st to April 9th
Opening Reception: Thursday, March 31st /7 – 9 pm
Artist Talk: Saturday, April 2nd / 2 – 4 pm

Don’t miss a chance to talk to the artists about their work on Thursday at the Opening Reception or Saturday at the Artist Talk featuring Diana Nicolette Jeon and Andrew Ward.

Seven global photographers converge in an exhibition about the rhythms and tensions in the contemporary geographical, social and psychological landscapes.

Intervals: Photography in Flux is a collection of unique and unusual digital and photographic processes that are rarely seen in one setting. The methods and techniques range from those used long before the invention of the camera to the advanced technology available to artists today. The works are presented through diverse photographic methods using encaustic, cameraless exposures, and iPhonography. Their themes thread around the deconstruction of identity, environmental issues, disposable society, speaking under oppression and the mysteries in the mundane.

An Exhibition Catalogue will be available in the gallery and from Blurb

South Main Gallery
279 East 6th Avenue
Vancouver, BC V5T 1J7
The exhibition continues through Saturday, 09 April. South Main Gallery is open Tuesday – Thursday (10AM – 5:30 PM), Friday-Saturday (11AM-5:30PM) and Sunday by appointment; private viewing available (604.565.5622). An Artist Talk will be held on Saturday, 08 April (2-4 pm).

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