Archives for posts with tag: alternative process photography

 

Two recent Lumen Prints have been selected for exhibition in Light Sensitive 2018, a signature exhibition of photography created using traditional darkroom and alternative photographic processes. Both of these prints were made using materials gathered at Finn Slough, a tiny fishing community in Richmond, British Columbia, Canada where approximately 30 residents live in wooden houses along a marshy riverbank. The indigenous and cultivated plant materials used to make the photograms reference a community that is inextricably connected to the environment and persistently adaptable to the encroaching built environment that challenges its existence.

These Lumen Print photograms are made by placing plant materials on black-and-white photo paper, which were exposed to both sunlight and the elements for 48 hours and then processed in fixer. The plant enzymes and atmospheric conditions interacted with the photo-emulsion to produce unexpected results on the surface of the paper, leaving X-ray like marks on both their shapes and interiors. The atmospheric conditions affecting these prints were especially unusual — work that was set out on a cold December night was visited by a slushy snowstorm that was followed by freezing weather that adhered the prints to the developing table for an additional day of soaking up diffused light. Carefully, these prints were thawed and released; the impact of this distress can be seen in the unique marks on the photosensitive surface.

Light Sensitive, juried by scott b. davis founder of the Medium Festival of Photography, will show at Art Intersection, a gallery and workspace in Gilbert, Arizona, that promotes the intersection of photography with related art forms. The exhibition runs from 06 Marth thru 21 April (207 North Gilbert Road, Gilbert Arizona). Open reception is Saturday, 10 March, 5 – 7 pm).

Advertisements
Cathy's Orchid

Cathy’s Orchid

A feast of lumen prints are showcased in the newly opened Salon at A Smith Gallery in Johnson City, Texas. Lumen, an exhibition showcasing this feast of alternative photography, includes Cathy’s Orchid, a digital print made from a handmade negative created by using a Lumen Print process. The exhibition dates are 11 March to 16 May. Two receptions will be held: 25 March and 30 April (4 – 7 pm). An exhibition catalogue available from Blurb is forthcoming.

Lumen prints are photograms made by a contact print process using organic materials that leave traces and shadows on photosensitive surfaces. These unique prints are made without a camera or darkroom enlarger. These materials transmit enzymes that interact with the surface of the paper, leaving X-ray like marks of both their shapes and interiors. Lumen prints on sheet film can be scanned and processed as digital prints. Artists experimenting with this process include Jerry Burchfield, Adam Fuss and the artists showing work in Lumen.

Backyard Pinhole (2005)

Backyard Pinhole (2005)

Enjoy a vast on-line exhibition about the backyard in Backyard Exhibition curated by Aline Smithson, editor of LENS/CRATCH. At the end Part 1, you’ll find my Backyard Pinhole; further down toward the end of Part 5, you’ll find Sassamatt photographer Edward Peck’s night shot of the same backyard. In between are many kindred photographs interpreting the backyard.

http://www.lenscratch.com/2013/05/the-2013-lenscratch-backyard-exhibition.html

Backyard Exhibition juxtaposes images  in a visual dialogue that add another dimension to the individual works. This on-line, global exhibition opportunity makes the work available 24/7. Exhibiting outside the gallery walls and in a softly curated show invites more viewers into art situation and builds community. This exhibition prompts some discussion about creative exhibition venues. Frequently Aline Smithson puts out a call for thematic work that she publishes on her daily LENS/CRATCH photography blog.

http://alinesmithson.com/about/

%d bloggers like this: