Archives for category: Sassamatt

Two recent Lumen Prints have been selected for exhibition in Light Sensitive 2018, a signature exhibition of photography created using traditional darkroom and alternative photographic processes. Both of these prints were made using materials gathered at Finn Slough, a tiny fishing community in Richmond, British Columbia, Canada where approximately 30 residents live in wooden houses along a marshy riverbank. The indigenous and cultivated plant materials used to make the photograms reference a community that is inextricably connected to the environment and persistently adaptable to the encroaching built environment that challenges its existence.

These Lumen Print photograms are made by placing plant materials on black-and-white photo paper, which were exposed to both sunlight and the elements for 24 hours and then processed in fixer. The plant enzymes and atmospheric conditions interacted with the photo-emulsion to produce unexpected results on the surface of the paper, leaving X-ray like marks on both their shapes and interiors. The atmospheric conditions affecting these prints were especially unusual — work that was set out on a cold December night was visited by a slushy snowstorm that was followed by freezing weather that adhered the prints to the developing table for an additional day of soaking up diffused light. Carefully, these prints were thawed and released; the impact of this distress can be seen in the unique marks on the photosensitive surface.

Light Sensitive, juried by scott b. davis founder of the Medium Festival of Photography, will show at Art Intersection, a gallery and workspace in Gilbert, Arizona, that promotes the intersection of photography with related art forms. The exhibition runs from 06 Marth thru 21 April (207 North Gilbert Road, Gilbert Arizona). Open reception is Saturday, 10 March, 5 – 7 pm).

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Artists by nature are not hard-wired to boost, promote, or sell their work. Buyers usually want to know more about the works that attract their attention and perhaps purchase. That more can be the backstory, the technique or inspiration, and it is often said that it is not the work that is sold but the story that is bought.

For some artists, that conversation is difficult. In my own artist practice, all of this is the case. If I could bring that story to life in conversation, there would be no need for me to make a drawing, photograph, artist book or ceramic sculpture. I came to value (and now miss dearly) art school critiques because I learned how to speak more confidently about the backstory, techniques and inspiration in my artist practice. Having said that, this blog feels somewhat like shameless self-promotion, but it could also be a year-end summary of where my work can be found, where this work can be purchased.

TRUTH AND BEAUTY Digital Gallery presents Illuminations, a selection of my recent lumen prints. This exclusive, inaugural Online Exhibition aims to reach a broad international audience and enhance ongoing programming at the Vancouver gallery. Visit the DIGITAL GALLERY to enjoy this inaugural exhibition of Lumen Prints.

CITYSCAPE ART RENTALS (335 Lonsdale Avenue, North Vancouver) holds a small collection of my work for rent, rent-to-own, and purchase. A selection of my work will be exhibited the 2018 Art Rental Show (opening 11 January through 03 February 2018).

THE BROOKLYN ART LIBRARY (28 Frost Street, Brooklyn, NY)/ Sketchbook Project now sells high-quality prints of pages from nine of my sketchbooks in their collection. Sketchbook Collection

If you are in Texas, Ocean Shoresone of my Lumen Prints is among the 39 alternative process photographs on exhibition in unique: alternative processes at ASmith Gallery in Johnson City, Texas thru 14 January 2018. This exhibition affirms my interest in what constitutes a photograph and the experiments, historical and contemporary, which push the boundaries and yield unique results. It is also available for purchase.

My ceramics are currently for sale at the Gallery of BC Ceramics and the Port Moody Art Centre. Know that each of my works embodies thoughts about craft, the enjoyment of music bouncing off my studio walls while I work late into the night and artistic risk. The Gallery of BC Ceramics also sells Seeking the Nuance (second edition), a collection of heritage glazes along with essays about the Vancouver ceramics community in the 70s.  Check it out
Winter Treasures 
thru 22 December,  Point Moody Art Centre, 2425 Johns Street,  Port Moody
Christmas Dove Ornaments 
thru 24 December,  Gallery of BC Ceramics, 1359 Cartwright Street, Granville Island

Gifting is an art form in its own right, and in this season of gift giving, a gift of art is a double gift because it gifts the artist as well. More about my photography continues at http://www.sassamatt.com

TRUTH AND BEAUTY Digital Gallery presents Illuminations, a selection of my recent lument prints. This exclusive, inaugural Online Exhibition aims to reach a broad international audience and enhance ongoing programming at the Vancouver gallery.

Illuminations, a series of Photograms, assembles impressions of materials placed on photosensitive paper using organic materials gathered from the beach, the forest, and the street. I record traces and shadows made by the various debris on sheet film. These handmade negatives are then digitized and transformed into an illumination of their original organic form.

Visit the DIGITAL GALLERY to enjoy this inaugural exhibition of Lumen Prints.

Turbulence
Pigment ink on cotton made from a handmade negative using a Lumen Print process

Eleven Sassamatt Collective photographs are in the Cityscapes Art Rental collection, five by Phyllis Schwartz and six by Edward Peck.  They will be on show in their September salon syle exhibition. The exhibition runs 08 – 30 September (Cityscapes, 355 Lonsdale, North Vancouver). Work on show is available for rent or sale. This is an excellent opportunity to buy more art.

https://nvartscouncil.ca/events-exhibitions/art-rental-show/

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From time to time, I incline my mind toward straight photography and assemble a  vaguely affiliated series of images. The Curated Fridge is calling for photographs that speak to their summer theme: I Wonder.

When I look through my viewfinder, I wonder about many things: will my photograph be the equivalent of what I sense (thinking about Alfred Steiglitz)? will my photograph endure my rigourous editing process? will I feel the same about this image tomorrow as I did when I released the shutter (Wordsworth’s emotion recollected in tranquility)?

Sometimes I ponder, speculate, or meditate with my camera, but best of all I like spontaneous moments that later reveal what the inner eye sees in a decisive moment. So, here I offer up a collection of photographic moments that I wonder about.

I leave these thoughts hanging on a prepositional precipice wondering about your thoughts and perceptions as you scroll through my photographic moments?

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Another sketchbook is on the way to the Brooklyn Art Libary for the 2017 Sketchbook Project. Three streams of consciousness merge: hybrid monsters (real, imagined and augmented), an assortment of owls (scowl owls, wise owls and stylized) hidden and tucked into unlikely compositional elements and sketches of freeform climbers traversing, ascending and building stamina. Exhibition and touring details will be announced shortly. Nightmares — monsters, owls, and bouldering will soon be on view online; until then, nine digitized sketchbooks can be viewed here.

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Artists by nature are not hard-wired to boost, promote, or sell their work. Buyers usually want to know more about the works that attract their attention and perhaps purchase. That more can be the backstory, the technique or inspiration, and it is often said that it is not the work that is sold but the story that is bought. For some artists, that conversation is difficult. In my own artist practice, all of this is the case. If I could bring that story to life in conversation, there would be no need for me to make a drawing, photograph, artist book or ceramic sculpture. I came to value (and now miss dearly) art school critiques because I learned how to speak more confidently about the backstory, techniques and inspiration in my artist practice. Having said that, this blog feels somewhat like shameless self-promotion, but it could also be a year end summary about where my work can be found, where this work can be purchased.

South Main Gallery (279 East 6th Avenue, Vancouver) now represents my work, particularly More Illuminations, featured in Vancouver’s Capture Photography Festival (2016).

Cityscapes Art Rentals (335 Lonsdale Avenue, North Vancouver) holds a small collection of my work for rent, rent-to-own, and purchase. A selection of my work will be in the 2017 Art Rental Show (opening 12 January through 04 February 2017).

The Brooklyn Art Library (28 Frost Street, Brooklyn, NY)/ Sketchbook Project now sells high quality prints of pages from nine of my sketchbooks in their collection. Sketchbook Collection

Gifting is an art form in its own right, and in this season of gift giving, a gift of art is a double gift because it gifts the artist as well. More about my photography continues at http://www.sassamatt.com

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IntervalsWeb-1024x622Presented by South Main Gallery and Capture Photography Festival
Curated by Edward Peck and Phyllis Schwartz (Sassamatt Collective)
We are pleased to present exciting new and recent work by 7 international photographic artists, including 3 world premieres at South Main Gallery. The exhibition features Goga Bayat, David Ellingsen, Jim Friesen, Diana Nicholette Jeon, Edward Peck, Phyllis Schwartz and Andrew Ward.

March 31st to April 9th
Opening Reception: Thursday, March 31st /7 – 9 pm
Artist Talk: Saturday, April 2nd / 2 – 4 pm

Don’t miss a chance to talk to the artists about their work on Thursday at the Opening Reception or Saturday at the Artist Talk featuring Diana Nicolette Jeon and Andrew Ward.

Seven global photographers converge in an exhibition about the rhythms and tensions in the contemporary geographical, social and psychological landscapes.

Intervals: Photography in Flux is a collection of unique and unusual digital and photographic processes that are rarely seen in one setting. The methods and techniques range from those used long before the invention of the camera to the advanced technology available to artists today. The works are presented through diverse photographic methods using encaustic, cameraless exposures, and iPhonography. Their themes thread around the deconstruction of identity, environmental issues, disposable society, speaking under oppression and the mysteries in the mundane.

An Exhibition Catalogue will be available in the gallery and from Blurb

South Main Gallery
279 East 6th Avenue
Vancouver, BC V5T 1J7
The exhibition continues through Saturday, 09 April. South Main Gallery is open Tuesday – Thursday (10AM – 5:30 PM), Friday-Saturday (11AM-5:30PM) and Sunday by appointment; private viewing available (604.565.5622). An Artist Talk will be held on Saturday, 08 April (2-4 pm).

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Telling Stories: a visual art exhibition, a new exhibition presented by the Chinese Cultural Centre of Greater Vancouver in collaboration with the BestB4 Collective, opens at the On-Tak Cheung Gallery at the Chinese Cultural Centre Museum on Saturday, 07 November, 2015 from 2 – 4pm.

This new  BestB4 Collective project is a collaboration with nine visual artists and community members; the gallery is transformed into a meeting place where photography, painting, ceramics, fibre and installations tell and evoke stories. Salton Sea Eco-Disaster — I Cannot Look Away, my Salton Sea photo-graphic story, will be on show in this exhibition.

In the Winter of 2011, I made my second photo-exploration of the Salton Sea in Southern California to continue my study of the environmental impact of the local economy on the region and am now working toward a return to the area for a future photographic project. This eco-disaster is complex: as this salt lake dehydrates, the toxins from the Mexicali-Calexico food industry and computer industry contaminants concentrate, which in turn kills the fish, birds and plant life. As a result, the shore of the Salton Sea is ringed with layers of dead fish and birds; the stench of dead marine life hovers over a series of ghost towns built with the intention of a recreational paradise in the desert.

My work in this area has only begun. It is simultaneously seductively surreal and an outrage. I use the photographic process as an investigative tool. The process of photography reveals detail and texture. I seek universals, digging beneath the surface for invisible truth, open to the optical unconscious revealed by my camera. In my quest for the poetic, my photography addresses the nature of permanence and impermanence by asking, “What remains?”

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More about the Best B4 Collective 
More community events

Art Rental Show — two of my recent Lumen Prints have been added to the Cityscapes Art Rental collection and will be on show in their salon syle exhibition. Thursday, 08 January, 7 – 9 PM (Cityscapes, 355 Lonsdale, North Vancouver).

Truth and Beauty DoorCrasher Special— offers Limited Edition Prints (Desert Salt, for example), OpenStock Prints and Loose Prints at discounted prices. One week only: 10 – 17 January (Noon – 5pm), 698 West 16th Avenue. Check out the Collective collection.

Winter Salon at Photohaus Gallery — WinterSalon continues thru January. Three of my Lumen Prints are on show in this exhibition. Two of these prints are analogue lumen prints; it is an exciting opportunity because (as far as I know) I am the only artist in Greater Vancouver working in this hybrid photo-printmaking medium. Check website for hours of opening and location.

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