Archives for category: Publication

The Tree: Literal and Figurative, an exhibition curated by Alison Keenan and Phyllis Schwartz, expresses the theme of nature as experienced in forests, the built environment and as raw material for industry. The purpose of this exhibition is to show the tree as a common link in Canadian culture that provides a canopy, which spans all cultures, communities, collectives, artists, and individuals.This group exhibition presents images and impressions of the tree in a variety of media  will surely evoke myriad myths and memories about the tree. 

The artists from BestB4 Collective are graduates from Emily Carr University of Art + Design and the University of British Columbia.  The Tree is an inaugural BestB4 Collective exhibition by eight artists working in eight different media include the paintings of Alison Keenan, experimental photography by Phyllis Schwartz, drawings by Anna Ruth and Tony Chu Yin Tak, large-scale photography by Edward Peck, ceramics by Pauline Doyle, felt sculpture by Ellen Bang and installation work by Connie Sabo. The exhibition is on show at the Chinese Cultural Centre Museum in Vancouver between 11 January and 17 February 2014.  Exhibition Details. 

BestB4 Collective is a Vancouver-based collaborative artist collective established by Alison Keenan and Phyllis Schwartz. The focus of their collaboration is an ongoing inquiry into themes of the natural and built environments, the use of public space by the private individual, contemporary dance as an art form and as public performance.

The Tree exhibition includes my recent lumen prints. In the gallery is my series of analogue lumen prints made during a recent visit to New York . New York: What Remains? shows traces and shadows of early summer foliage mostly collected near the Natural History Museum and Central Park. In the showcase windows are my recent digital prints made from handmade negatives. Illuminations is a series of forest abstractions made from kelp forest debris washed ashore at Chesterman Beach and windfall gathered in my back yard after a series of winter and early spring storms.

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Memory: International Mail Art Exhibition and Swap  opens Saturday (16th November) at Richmond Art Gallery and runs through 12th January; opening reception (3 – 5 pm) features a screening of Margaret Dragu’s Verb Woman. Images in this exhibition are from Textures of Time: Vancouver’s Historical Erasures, a current series of composite photographs that fuse my Vancouver visual experience with visual records made by photographers before me. More about these images can be found at http://sassamatt.com/phyllis/texturesoftime/index.html

More exhibition details can be found  at  http://www.richmondartgallery.org

 

Ready to Sail (2013, composite photograph)

Ready to Sail (2013, composite photograph)

Summer Evening in False Creek (2013, composite photography)

Summer Evening in False Creek (2013, composite photography)

Main Street Night (2013, composite photography)

Main Street Night (2013, composite photography)

Saturday Morning on Main Street (2013, composite photography)

Saturday Morning on Main Street (2013, composite photography)

PhotoHaus Gallery has selected three of my mobile phone images for Mobilography 2013, Opening Night is Friday, 26 July/ 7pm [lane entrance]. The show is up until 17 August.

PhotoHaus Gallery (14 West 7th Avenue, Vancouver). Check website for details about gallery hours. http://photohausgallery.com/coming-soon/mobileography-2013-open-call-for-submissions/

Mobilography  is a quickly grown photographic genre, and mobile device cameras have pretty much replaced the point-and-shoot. The cameras in these little devices take better and better photographs. With all the apps available, they make road-side photo processing possible. The photos selected by the Mobilography3 jury show the diversity in my mobile photography practice. While I use my iPhone as a visual notebook, its handiness makes it possible to freeze the fleeting moment. As well, I take advantage of stationary, transitional moments to process and edit these spontaneous moments.

Please take a moment check out  new gallery pages on my website at http://sassamatt.com. And while you’re at it: like Sassamatt Images on Facebook (http://www.facebook.com/SassamattImages) and follow me on Twitter (https://twitter.com/#!/queenofmidnight).

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Two of my sketchbooks are on the Sketchbook Project Summer Tour. Soon the bookmobile will pull into Chicago and then cross the continent and set up 25+ North American locations before heading home to the Brooklyn Art Library. Sketchbook Project tours are fun. In addition to checking out and reading artist made books, there are also drawing and postcard writing activities. Find your closest city, check out some sketchbooks and let me know what you think. http://www.sketchbookproject.com/summer-tour

Both sketchooks reach deep into family history. On the Road Again — a family event photo log documents a five day roadtrip back to Bellville for a memorial service and affirmation of a new generation of elders. My drawings and photographs investigate permanence in the context of time and the river that seems to move forward and stand still. My Brooklyn Childhood — a memoir is a compilation of my father’s memoirs and memory drawings. It brings together work that my father talked about but never achieved: illustrating the many stories he told. His memory drawings open a new understanding of his Brooklyn boyhood, and the Brooklyn Art Library is a fitting location for this first edition. Selected images from both of these sketchbooks can be viewed on my Sketchbook Project Artwork page.

http://www.sketchbookproject.com/users/queenofmidnight/artwork

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Backyard Pinhole (2005)

Backyard Pinhole (2005)

Enjoy a vast on-line exhibition about the backyard in Backyard Exhibition curated by Aline Smithson, editor of LENS/CRATCH. At the end Part 1, you’ll find my Backyard Pinhole; further down toward the end of Part 5, you’ll find Sassamatt photographer Edward Peck’s night shot of the same backyard. In between are many kindred photographs interpreting the backyard.

http://www.lenscratch.com/2013/05/the-2013-lenscratch-backyard-exhibition.html

Backyard Exhibition juxtaposes images  in a visual dialogue that add another dimension to the individual works. This on-line, global exhibition opportunity makes the work available 24/7. Exhibiting outside the gallery walls and in a softly curated show invites more viewers into art situation and builds community. This exhibition prompts some discussion about creative exhibition venues. Frequently Aline Smithson puts out a call for thematic work that she publishes on her daily LENS/CRATCH photography blog.

http://alinesmithson.com/about/

The Sketchbook Project 2013 opens this Friday at the Brooklyn Art Library, beginning a seven city North American tour. Both artist books included in this tour reach deep into family history. My Brooklyn Childhood — a memoir is a compilation of my father’s memoirs and memory drawings. It brings together work that my father talked about but never achieved: illustrating the many stories he told. His memory drawings open a new understanding of his Brooklyn boyhood, and the Brooklyn Art Library is a fitting location for this first edition. On the Road Again — a family event photo log documents a five day roadtrip back to Bellville for a memorial service and affirmation of a new generation of elders. My drawings and photographs investigate permanence in the context of time and the river that seems to move forward and stand still. Selected images from both of these sketchbooks can be viewed on my Sketchbook Project Artwork page.

http://www.sketchbookproject.com/users/queenofmidnight/artwork

Touring Brooklyn, Austin, Atlanta, Toronto, Chicago, Portland, San Francisco, Los Angeles. More tour details

http://www.sketchbookproject.com/projects/sketchbookproject/tour/15

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In Camera: the working dancer on show at the Mezzanine Gallery/Queen Elizabeth Theatre closes Saturday, 16 February but continues in print and on-line. Sassamatt Images has produced both print and iBook editions of an exhibition catalogue of paintings by Alison Keenan and photography by Phyllis Schwartz that portray moments of concentration, exploration, and collaboration observed in Ballet BC choreographic workshops during the 2011-2012 season. Both are available from Blurb. Preview and purchase information

http://www.blurb.com/bookstore/detail/3953062#author-bookshelf

https://itunes.apple.com/ca/book/id597095605?utm_medium=email&utm_source=application-ebook&utm_campaign=distribution-ibook_available&utm_content=0123pm-01_30_13-body

Tuesday’s deadline for posting my two Brooklyn Art Library sketchbook projects has been using a lot of midnight oil. Soon they will arrive in Williamsburg where they will be scanned, put up on line and eventually go on tour as the weather becomes warmer. Both sketchooks reach deep into family history. On the Road Again — a family event photo log documents a five day roadtrip back to Bellville for a memorial service and affirmation of a new generation of elders. My drawings and photographs investigate permanence in the context of time and the river that seems to move forward and stand still. My Brooklyn Childhood — a memoir is a compilation of my father’s memoirs and memory drawings. It brings together work that my father talked about but never achieved: illustrating the many stories he told. His memory drawings open a new understanding of his Brooklyn boyhood, and the Brooklyn Art Library is a fitting location for this first edition. Selected images from both of these sketchbooks can be viewed on my Sketchbook Project Artwork page.

http://www.sketchbookproject.com/users/queenofmidnight/artwork

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Announcing the publication of the print edition of In Camera: the working dancer. Sassamatt Images has produced an exhibition catalogue of paintings by Alison Keenan and photography by Phyllis Schwartz portraying moments of concentration, exploration, and collaboration observed in Ballet BC choreographic workshops during the 2011-2012 season. Now available from Blurb  (with an iBook edition scheduled for 01 February 2013). Preview and purchase information

http://www.blurb.com/bookstore/detail/3953062#author-bookshelf