Archives for category: New Work

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Artists by nature are not hard-wired to boost, promote, or sell their work. Buyers usually want to know more about the works that attract their attention and perhaps purchase. That more can be the backstory, the technique or inspiration, and it is often said that it is not the work that is sold but the story that is bought.

For some artists, that conversation is difficult. In my own artist practice, all of this is the case. If I could bring that story to life in conversation, there would be no need for me to make a drawing, photograph, artist book or ceramic sculpture. I came to value (and now miss dearly) art school critiques because I learned how to speak more confidently about the backstory, techniques and inspiration in my artist practice. Having said that, this blog feels somewhat like shameless self-promotion, but it could also be a year-end summary of where my work can be found, where this work can be purchased.

TRUTH AND BEAUTY Digital Gallery presents Illuminations, a selection of my recent lumen prints. This exclusive, inaugural Online Exhibition aims to reach a broad international audience and enhance ongoing programming at the Vancouver gallery. Visit the DIGITAL GALLERY to enjoy this inaugural exhibition of Lumen Prints.

CITYSCAPE ART RENTALS (335 Lonsdale Avenue, North Vancouver) holds a small collection of my work for rent, rent-to-own, and purchase. A selection of my work will be exhibited the 2018 Art Rental Show (opening 11 January through 03 February 2018).

THE BROOKLYN ART LIBRARY (28 Frost Street, Brooklyn, NY)/ Sketchbook Project now sells high-quality prints of pages from nine of my sketchbooks in their collection. Sketchbook Collection

If you are in Texas, Ocean Shoresone of my Lumen Prints is among the 39 alternative process photographs on exhibition in unique: alternative processes at ASmith Gallery in Johnson City, Texas thru 14 January 2018. This exhibition affirms my interest in what constitutes a photograph and the experiments, historical and contemporary, which push the boundaries and yield unique results. It is also available for purchase.

My ceramics are currently for sale at the Gallery of BC Ceramics and the Port Moody Art Centre. Know that each of my works embodies thoughts about craft, the enjoyment of music bouncing off my studio walls while I work late into the night and artistic risk. The Gallery of BC Ceramics also sells Seeking the Nuance (second edition), a collection of heritage glazes along with essays about the Vancouver ceramics community in the 70s.  Check it out
Winter Treasures 
thru 22 December,  Point Moody Art Centre, 2425 Johns Street,  Port Moody
Christmas Dove Ornaments 
thru 24 December,  Gallery of BC Ceramics, 1359 Cartwright Street, Granville Island

Gifting is an art form in its own right, and in this season of gift giving, a gift of art is a double gift because it gifts the artist as well. More about my photography continues at http://www.sassamatt.com

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From time to time, I incline my mind toward straight photography and assemble a  vaguely affiliated series of images. The Curated Fridge is calling for photographs that speak to their summer theme: I Wonder.

When I look through my viewfinder, I wonder about many things: will my photograph be the equivalent of what I sense (thinking about Alfred Steiglitz)? will my photograph endure my rigourous editing process? will I feel the same about this image tomorrow as I did when I released the shutter (Wordsworth’s emotion recollected in tranquility)?

Sometimes I ponder, speculate, or meditate with my camera, but best of all I like spontaneous moments that later reveal what the inner eye sees in a decisive moment. So, here I offer up a collection of photographic moments that I wonder about.

I leave these thoughts hanging on a prepositional precipice wondering about your thoughts and perceptions as you scroll through my photographic moments?

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Contemplating Water is a new gallery added to Sassamatt’s webpage. It features a series of photographs made on Chesterman Beach/Tofino, BC, focussing on water in its dynamic state.

Ever-moving water is ephemeral and transcendental. As it swirls, sputters, rises and falls, it returns to where it began. I look at water the way Alfred Steiglitz looks at clouds, contemplating how “to hold a moment, how to record something so completely, that all who see will relive an equivalent of what has been expressed.”

View Contemplating Water (here). 

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Announcing the opening of Clouds — a group exhibition

Opening Night Reception,  Thursday,  23 March (7 – 9 pm) at Cityscape Art Space in North Vancouver (235 Lonsdale) — featuring fifty-one artists interpreting clouds in a variety of media that range from beadwork to photography.

Among the many cloud musings is my spontaneous iPhone capture of sunburst lighting up clouds on Chesterman Beach/Tofino, one of those rare moments when the drama of light obscured colour to show the contrast between rain and surf.

Clouds will be on show  at Cityscapes Community Art Space through 22 April.

Chesterman Beach (iPhone image)

 

Another sketchbook is on the way to the Brooklyn Art Libary for the 2017 Sketchbook Project. Three streams of consciousness merge: hybrid monsters (real, imagined and augmented), an assortment of owls (scowl owls, wise owls and stylized) hidden and tucked into unlikely compositional elements and sketches of freeform climbers traversing, ascending and building stamina. Exhibition and touring details will be announced shortly. Nightmares — monsters, owls, and bouldering will soon be on view online; until then, nine digitized sketchbooks can be viewed here.

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Announcing the publication of Seeking the Nuance (second edition).

Glenn Lewis, Phyllis Schwartz, and Debra Sloan present the second edition of Seeking the Nuance with new essays, photographs and glaze recipes. In this second edition is new historical information and discussion about how the Leach/Mingei philosophy continues to influence many studio practices within the BC ceramic culture.

The 2010 edition of Seeking the Nuance was based on Glenn Lewis’s 1970s glaze recipe card files that had evolved from his early 1960s apprenticeship with Bernard Leach. One of the main outcomes of this publication is an academic research written by Alex Lambley, a doctoral candidate at the Leach Pottery in St. Ives, Cornwall.

According to Debra Sloan these recipes not only demonstrate the numerous influences imported to British Columbia, but also they convey how information is utilized, especially in the constructed and geographically sequestered cultural environment in BC. Phyllis Schwartz believes that sharing these recipes will continue conversation amongst potters as they seek to nuance these heritage recipes work within their own practices.

Seeking the Nuance will be launched at the Best of BC (Gallery of BC Ceramics, 09 March) and the Canadian Clay Symposium (Shadbolt Centre for the Arts, 18 March). It will also be available for purchase at the Gallery of BC Ceramics (Granville Island, 1359 Cartwright Street) for $25. A portion of the sales goes to the Maureen Wright Scholarship Fund (Northwest Ceramics Foundation).

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Recently, I had an opportunity to reprint a series of photographs I made when the Right Honourable Pierre Elliott Trudeau spoke to the students at Point Grey Secondary School in Vancouver on 19 May 1974. It was easy to mark the day because it was the day after Operation Smiling Buddha, India’s first nuclear weapons explosion. In his address to the students, Prime Minister Pierre Elliott Trudeau shared his thoughts about the global impact of this nuclear test and affirmed Canada’s commitment to Peace Keeping.

At the time of Prime Minister Trudeau’s visit, I was a new Canadian who had just signed a continuing contract with the Vancouver School Board. It was a new beginning for me in a chaotic time, and Canada offered both opportunity and a sense of social order. As well, I could not only afford an SLR camera but also my own darkroom equipment. The Prime Minister’s visit to Point Grey, along with a press entourage, was probably my first event photo-shoot. I had no experience working with all the lighting added by myriad photographers and videographers, but perhaps you will find that part of the honesty characteristic of 1970s artwork. Jay Currie, President of the Student Council, and son of G.B. Currie, Chairman of MacMillan Bloedel, introduced the Prime Minister to the student body and staff.

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Artists by nature are not hard-wired to boost, promote, or sell their work. Buyers usually want to know more about the works that attract their attention and perhaps purchase. That more can be the backstory, the technique or inspiration, and it is often said that it is not the work that is sold but the story that is bought. For some artists, that conversation is difficult. In my own artist practice, all of this is the case. If I could bring that story to life in conversation, there would be no need for me to make a drawing, photograph, artist book or ceramic sculpture. I came to value (and now miss dearly) art school critiques because I learned how to speak more confidently about the backstory, techniques and inspiration in my artist practice. Having said that, this blog feels somewhat like shameless self-promotion, but it could also be a year end summary about where my work can be found, where this work can be purchased.

South Main Gallery (279 East 6th Avenue, Vancouver) now represents my work, particularly More Illuminations, featured in Vancouver’s Capture Photography Festival (2016).

Cityscapes Art Rentals (335 Lonsdale Avenue, North Vancouver) holds a small collection of my work for rent, rent-to-own, and purchase. A selection of my work will be in the 2017 Art Rental Show (opening 12 January through 04 February 2017).

The Brooklyn Art Library (28 Frost Street, Brooklyn, NY)/ Sketchbook Project now sells high quality prints of pages from nine of my sketchbooks in their collection. Sketchbook Collection

Gifting is an art form in its own right, and in this season of gift giving, a gift of art is a double gift because it gifts the artist as well. More about my photography continues at http://www.sassamatt.com

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A selection of my ink spot drawings are showing at the Winchester Gallery (Winchester, UK) during the Small Press: Independent Comics and Self Publish Event. Curated and installed by Dimitri Pieri, my work is exhibited alongside artists from Sweden, Denmark, Japan, Poland, France , Bristol, Glasgow, London and Prague and includes screenprinting, collage, photography, fine art, comix and illustration.

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More about this event and installation in the following links.
More about this event and installation in the following links. http://wsasmallpresscomics.tumblr.com https://www.facebook.com/events/1749239822025875
https://drive.google.com/drive/folders/0B6cwe1Nf5vMNQXBLU3h6MG9salk

Telling Stories — a visual art exhibition, my most recent Best B4 Collective project co-curated with Alison Keenan, presents the work of nine Vancouver artists telling stories in a variety of media. We have selected artists who both tell stories about contemporary issues and push the boundaries of their artistic medium. The exhibition opens 07 November at the On-Tak Gallery in the Chinese Cultural Centre and runs through 19 December.

Urban and environmental issues are the predominant themes running through the stories in this exhibition. Alison Keenan uses scale to tell visual stories about the territorial clash between avian and human creatures. Edward Peck’s photographs zoom into Berlin graffiti to re-tell the on-going stories found in the urban streetscape. My Salton Sea series pictures surreal environmental devastation caused by the food and computer industries situated on the US-Mexican border.

New to the Best B4 Collective are six artists who tell stories using fibre and installation art. Daphne Harwood uses the quilting medium to document urban transformation where once stood Imagination Market on the north shore of False Creek. Sophi Liang installs a ladder which holds traditional books to deconstruct traditional Chinese cultural values transplanted in a new cultural landscape. Colette Lisoway’s multi-screen prints build up a new image of a multicultural society in a rapidly changing community.

Uncanny stories are told in sculpture, painting and photography, stories that reframe the issues of environmental, urban and cultural conflict. Debra Sloan’s sculptures freeze tense, mischievous moments. June Yun’s paintings might look like misty Chinese countryside landscapes, but they are in fact stories of pollution that causes a nuclear winter. The tension in Jim Friesen’s stormy skies tell stories about the cycle of tension and release, a metaphor for many of the issues presented in the stories in this exhibition.

Each weekend, free community events will be offered to the public, and during the week, participating artists will be working with students in the community who visit the exhibition.  Further details are found on the Events Page of the Best B4 Collective Blog.

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