Archives for category: mobilography

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Artists by nature are not hard-wired to boost, promote, or sell their work. Buyers usually want to know more about the works that attract their attention and perhaps purchase. That more can be the backstory, the technique or inspiration, and it is often said that it is not the work that is sold but the story that is bought.

For some artists, that conversation is difficult. In my own artist practice, all of this is the case. If I could bring that story to life in conversation, there would be no need for me to make a drawing, photograph, artist book or ceramic sculpture. I came to value (and now miss dearly) art school critiques because I learned how to speak more confidently about the backstory, techniques and inspiration in my artist practice. Having said that, this blog feels somewhat like shameless self-promotion, but it could also be a year-end summary of where my work can be found, where this work can be purchased.

TRUTH AND BEAUTY Digital Gallery presents Illuminations, a selection of my recent lumen prints. This exclusive, inaugural Online Exhibition aims to reach a broad international audience and enhance ongoing programming at the Vancouver gallery. Visit the DIGITAL GALLERY to enjoy this inaugural exhibition of Lumen Prints.

CITYSCAPE ART RENTALS (335 Lonsdale Avenue, North Vancouver) holds a small collection of my work for rent, rent-to-own, and purchase. A selection of my work will be exhibited the 2018 Art Rental Show (opening 11 January through 03 February 2018).

THE BROOKLYN ART LIBRARY (28 Frost Street, Brooklyn, NY)/ Sketchbook Project now sells high-quality prints of pages from nine of my sketchbooks in their collection. Sketchbook Collection

If you are in Texas, Ocean Shoresone of my Lumen Prints is among the 39 alternative process photographs on exhibition in unique: alternative processes at ASmith Gallery in Johnson City, Texas thru 14 January 2018. This exhibition affirms my interest in what constitutes a photograph and the experiments, historical and contemporary, which push the boundaries and yield unique results. It is also available for purchase.

My ceramics are currently for sale at the Gallery of BC Ceramics and the Port Moody Art Centre. Know that each of my works embodies thoughts about craft, the enjoyment of music bouncing off my studio walls while I work late into the night and artistic risk. The Gallery of BC Ceramics also sells Seeking the Nuance (second edition), a collection of heritage glazes along with essays about the Vancouver ceramics community in the 70s.  Check it out
Winter Treasures 
thru 22 December,  Point Moody Art Centre, 2425 Johns Street,  Port Moody
Christmas Dove Ornaments 
thru 24 December,  Gallery of BC Ceramics, 1359 Cartwright Street, Granville Island

Gifting is an art form in its own right, and in this season of gift giving, a gift of art is a double gift because it gifts the artist as well. More about my photography continues at http://www.sassamatt.com

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Announcing the opening of Clouds — a group exhibition

Opening Night Reception,  Thursday,  23 March (7 – 9 pm) at Cityscape Art Space in North Vancouver (235 Lonsdale) — featuring fifty-one artists interpreting clouds in a variety of media that range from beadwork to photography.

Among the many cloud musings is my spontaneous iPhone capture of sunburst lighting up clouds on Chesterman Beach/Tofino, one of those rare moments when the drama of light obscured colour to show the contrast between rain and surf.

Clouds will be on show  at Cityscapes Community Art Space through 22 April.

Chesterman Beach (iPhone image)

 

Screenshot 2015

Screenshot 2015

Mobile phones have become a notebook of sorts; they store images and fragmented memories, keep a phone call and text log, store data, track appointments and whole lot more. For a photographer, the fully loaded mobile phone is the notebook I’ve been waiting for. I can use it standing up, lying back or hunkering down without awkwardly searching for something to write with when the visual thought is in front or behind me, just about to disappear as the train is leaving the station. With a little planning, I have access to tools to work on stored images and maybe even prepare them for publication. I’m not much of a speech to text person, but I can dictate thoughts that take the shape of words or keep those words as a soundtrack. This is not to say that it replaces the coil bound artist notebook that is central to my artist practice; I have three crates of artist notebooks, and there’s no sign that that habit of visual journaling will be replaced by my mobile phone. But finally, there’s a notebook for photographers.

From time to time, I sing the praises of Aline Smithson, creator, editor and publisher of Lenscratch, photographer, writer and teacher. I read her blog daily, and it fuels my artist practice on many levels. I appreciate her seasonal calls for submissions to her theme-based blog exhibitions and look forward to visual content and editing/curating, offering a reading of these juxtaposed images that adds up to way more than the sum of the parts. A recent LENSCRATCH blog featured five pages of cellphone photography and included one of my cellphone photographs. Set among other cellphone photographs, I read my work in a new way.

Scrolling through LENSCRATCH 2015 Cellphone Exhibition, this blog emerged, and writing about my own work is always more laboured than this one. It was an inspirational series of images that illustrates how versatile the cellphone and cellphone camera can be. I am one of many who believe that technology and the economics of the cellphone camera have democratized photography, making cellphone photography a genre in its own right. While I began celebrating the notebooking opportunities of the cellphone, I end with a statement about the potential of the cellphone to make photography both immediate and contemplative, complex and spontaneous. View my Screenshot in isolation in this blog, but also view it in the context of the Lenscratch 2015 Cellphone Exhibition. 

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