Archives for category: Exhibtions

There is something indescribable about holding a handmade object. It might not be perfect, but someone has crafted an object in hopes of handing it off to another pair of appreciative hands. When I can, I buy local, and I buy handmade, knowing that I have purchased something unique.

My ceramics is currently on show and sale at the Gallery of BC Ceramics, the Port Moody Art Centre and the Aberthau Pottery Sale. Know that each of my works embodies thoughts about craft, the enjoyment of music bouncing off my studio walls while I work late into the night and artistic risk. Check it out and let me know what you think.

Abrthau Pottery Sale
Saturday, 02 December, 10 – 4 pm, Aberthau Mansion, 4397 West 2nd Avenue

Winter Treasures 
thru 22 December,  Point Moody Art Centre, 2425 Johns Street,  Port Moody

Christmas Dove Ornaments 
thru 24 December,  Gallery of BC Ceramics, 1359 Cartwright Street, Granville Island

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TRUTH AND BEAUTY Digital Gallery presents Illuminations, a selection of my recent lument prints. This exclusive, inaugural Online Exhibition aims to reach a broad international audience and enhance ongoing programming at the Vancouver gallery.

Illuminations, a series of Photograms, assembles impressions of materials placed on photosensitive paper using organic materias gathered from the beach, the forest, and the street. I record traces and shadows made by the various debris on sheet film. These handmade negatives are then digitized and transformed into an illumination of their original organic form.

Visit the DIGITAL GALLERY to enjoy this inaugural exhibition of Lumen Prints.

Turbulence
Pigment ink on cotton made from a handmade negative using a Lumen Print process

Art 4 Life at the Port Moody Art Centre is an interactive exhibition curated for a young (and young at heart) audience. Featured artwork is meant to inspire and engage young people while raising opportunities for active participation, discussion, cultural awareness and lessons on art appreciation.

The benefits of an arts education affect every area of life, and Art 4 Life is one such event in a lifelong journey of art appreciation. “Exposure to the visual arts, especially in these creative ways, expands a child’s awareness of the world and is a tool that can be used for learning in science, history, math, and more,” says Robert Frankel, director of museums and visual arts at the National Endowment for the Arts in Washington, DC.

Art galleries offer unique community spaces where an audience of all ages can experience the power of art to transform how we understand our world and ourselves. I am honoured that two of my drawings and three of my clay sculptures are included in this exhibition dedicated to a young audience beginning the habit of art for life.

Art 4 Life opens 30 September (1-3 PM) at the Port Moody Art Centre (2425 St. Johns Street) and runs thru 01 November.

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Eleven Sassamatt Collective photographs are in the Cityscapes Art Rental collection, five by Phyllis Schwartz and six by Edward Peck.  They will be on show in their September salon syle exhibition. The exhibition runs 08 – 30 September (Cityscapes, 355 Lonsdale, North Vancouver). Work on show is available for rent or sale. This is an excellent opportunity to buy more art.

https://nvartscouncil.ca/events-exhibitions/art-rental-show/

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Announcing the opening of Clouds — a group exhibition

Opening Night Reception,  Thursday,  23 March (7 – 9 pm) at Cityscape Art Space in North Vancouver (235 Lonsdale) — featuring fifty-one artists interpreting clouds in a variety of media that range from beadwork to photography.

Among the many cloud musings is my spontaneous iPhone capture of sunburst lighting up clouds on Chesterman Beach/Tofino, one of those rare moments when the drama of light obscured colour to show the contrast between rain and surf.

Clouds will be on show  at Cityscapes Community Art Space through 22 April.

Chesterman Beach (iPhone image)

 

Another sketchbook is on the way to the Brooklyn Art Libary for the 2017 Sketchbook Project. Three streams of consciousness merge: hybrid monsters (real, imagined and augmented), an assortment of owls (scowl owls, wise owls and stylized) hidden and tucked into unlikely compositional elements and sketches of freeform climbers traversing, ascending and building stamina. Exhibition and touring details will be announced shortly. Nightmares — monsters, owls, and bouldering will soon be on view online; until then, nine digitized sketchbooks can be viewed here.

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Artists by nature are not hard-wired to boost, promote, or sell their work. Buyers usually want to know more about the works that attract their attention and perhaps purchase. That more can be the backstory, the technique or inspiration, and it is often said that it is not the work that is sold but the story that is bought. For some artists, that conversation is difficult. In my own artist practice, all of this is the case. If I could bring that story to life in conversation, there would be no need for me to make a drawing, photograph, artist book or ceramic sculpture. I came to value (and now miss dearly) art school critiques because I learned how to speak more confidently about the backstory, techniques and inspiration in my artist practice. Having said that, this blog feels somewhat like shameless self-promotion, but it could also be a year end summary about where my work can be found, where this work can be purchased.

South Main Gallery (279 East 6th Avenue, Vancouver) now represents my work, particularly More Illuminations, featured in Vancouver’s Capture Photography Festival (2016).

Cityscapes Art Rentals (335 Lonsdale Avenue, North Vancouver) holds a small collection of my work for rent, rent-to-own, and purchase. A selection of my work will be in the 2017 Art Rental Show (opening 12 January through 04 February 2017).

The Brooklyn Art Library (28 Frost Street, Brooklyn, NY)/ Sketchbook Project now sells high quality prints of pages from nine of my sketchbooks in their collection. Sketchbook Collection

Gifting is an art form in its own right, and in this season of gift giving, a gift of art is a double gift because it gifts the artist as well. More about my photography continues at http://www.sassamatt.com

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A selection of my ink spot drawings are showing at the Winchester Gallery (Winchester, UK) during the Small Press: Independent Comics and Self Publish Event. Curated and installed by Dimitri Pieri, my work is exhibited alongside artists from Sweden, Denmark, Japan, Poland, France , Bristol, Glasgow, London and Prague and includes screenprinting, collage, photography, fine art, comix and illustration.

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More about this event and installation in the following links.
More about this event and installation in the following links. http://wsasmallpresscomics.tumblr.com https://www.facebook.com/events/1749239822025875
https://drive.google.com/drive/folders/0B6cwe1Nf5vMNQXBLU3h6MG9salk

IntervalsWeb-1024x622Presented by South Main Gallery and Capture Photography Festival
Curated by Edward Peck and Phyllis Schwartz (Sassamatt Collective)
We are pleased to present exciting new and recent work by 7 international photographic artists, including 3 world premieres at South Main Gallery. The exhibition features Goga Bayat, David Ellingsen, Jim Friesen, Diana Nicholette Jeon, Edward Peck, Phyllis Schwartz and Andrew Ward.

March 31st to April 9th
Opening Reception: Thursday, March 31st /7 – 9 pm
Artist Talk: Saturday, April 2nd / 2 – 4 pm

Don’t miss a chance to talk to the artists about their work on Thursday at the Opening Reception or Saturday at the Artist Talk featuring Diana Nicolette Jeon and Andrew Ward.

Seven global photographers converge in an exhibition about the rhythms and tensions in the contemporary geographical, social and psychological landscapes.

Intervals: Photography in Flux is a collection of unique and unusual digital and photographic processes that are rarely seen in one setting. The methods and techniques range from those used long before the invention of the camera to the advanced technology available to artists today. The works are presented through diverse photographic methods using encaustic, cameraless exposures, and iPhonography. Their themes thread around the deconstruction of identity, environmental issues, disposable society, speaking under oppression and the mysteries in the mundane.

An Exhibition Catalogue will be available in the gallery and from Blurb

South Main Gallery
279 East 6th Avenue
Vancouver, BC V5T 1J7
The exhibition continues through Saturday, 09 April. South Main Gallery is open Tuesday – Thursday (10AM – 5:30 PM), Friday-Saturday (11AM-5:30PM) and Sunday by appointment; private viewing available (604.565.5622). An Artist Talk will be held on Saturday, 08 April (2-4 pm).

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Telling Stories: a visual art exhibition, a new exhibition presented by the Chinese Cultural Centre of Greater Vancouver in collaboration with the BestB4 Collective, opens at the On-Tak Cheung Gallery at the Chinese Cultural Centre Museum on Saturday, 07 November, 2015 from 2 – 4pm.

This new  BestB4 Collective project is a collaboration with nine visual artists and community members; the gallery is transformed into a meeting place where photography, painting, ceramics, fibre and installations tell and evoke stories. Salton Sea Eco-Disaster — I Cannot Look Away, my Salton Sea photo-graphic story, will be on show in this exhibition.

In the Winter of 2011, I made my second photo-exploration of the Salton Sea in Southern California to continue my study of the environmental impact of the local economy on the region and am now working toward a return to the area for a future photographic project. This eco-disaster is complex: as this salt lake dehydrates, the toxins from the Mexicali-Calexico food industry and computer industry contaminants concentrate, which in turn kills the fish, birds and plant life. As a result, the shore of the Salton Sea is ringed with layers of dead fish and birds; the stench of dead marine life hovers over a series of ghost towns built with the intention of a recreational paradise in the desert.

My work in this area has only begun. It is simultaneously seductively surreal and an outrage. I use the photographic process as an investigative tool. The process of photography reveals detail and texture. I seek universals, digging beneath the surface for invisible truth, open to the optical unconscious revealed by my camera. In my quest for the poetic, my photography addresses the nature of permanence and impermanence by asking, “What remains?”

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More about the Best B4 Collective 
More community events

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